Horror Art | Mr. Furley Print | Betsy Crum
Crum Art
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Mr. Furley — Horror Art Print by Betsy Crum
A loving pen-and-ink portrait of a bumbling, big-hearted 70s sitcom landlord — all nervous energy and questionable fashion. Betsy Crum works in line here rather than colour, so the ascot, the collar and the raised eyebrow have to carry the whole joke, and they do. On a wall of loud prints, this is the one that whispers.
Where It'll Work in Your House
Black and white reads cleanly at walking pace, which makes it natural hallway art, and it will not argue with your paint colour. A den or home office suits it equally well, and on a gallery wall it does the job of the quiet ink piece between the colour prints — build a gallery wall around it. As entryway art, guests are met by an ascot.
Mr. Furley's wardrobe deserved its own show. More from Betsy Crum, more delightful strangeness in horror art, more one-liners in typography and quotes, and more for the den in man cave decor. A ready-made gift for dad — or see the best sellers.
Fine Art Prints Made in Fort Worth, Texas
Since 1996, Crum Art has created original art, paintings, and fine art prints in Fort Worth, showing and selling work at hundreds of art shows across Texas.
Print Details
- Museum-grade giclee: archival pigment inks on 100% cotton rag paper
- Unframed and sized to fit standard frames
- Studio-made, artist-signed prints only available directly from Crum Art
Made in Texas.
Made with love. Signed by hand. Shipped with care. Hung with joy.
Any 3 prints, 20% off at checkout — mix & match sizes.
Product FAQ
Who is the Mr. Furley portrait of?
A bumbling, big-hearted 1970s sitcom landlord — all nervous energy, loud ascots and misplaced confidence. Betsy Crum drew him in pen and ink, which strips the decade of its colour and leaves the posture and the expression to carry the whole joke.
Why is Mr. Furley drawn in pen and ink instead of painted?
Pen and ink suits a character built entirely on fussiness. Every line is committed and nothing blends away, so the ascot, the collar and the raised eyebrow read as decisions the man made on purpose. It also sets the piece apart from the saturated colour work elsewhere in the catalogue — on a wall of loud prints, this is the one that whispers.
Where does the Mr. Furley print hang best in a house?
Hallway art is the natural home — black and white reads cleanly at walking pace and will not fight the paint colour. A den or a home office suits it just as well, and on a gallery wall it does the job of the quiet ink piece between the colour prints. Entryway art too, if you want guests met by an ascot.
Who is the Mr. Furley print a good gift for?
The classic-TV lover who quotes reruns without shame, anyone nostalgic for 1970s sitcoms, and the friend whose den is filling up with ironic portraits. It lands well for birthdays and for Father's Day.
Will this look like an original painting or a print?
Crum Art takes the scanning and photographing of original paintings seriously — we work to capture the texture of the canvas or paper the original was created on, so that texture shows through in the print. Combined with the cotton rag paper’s own subtle surface and the hand-signing, many customers say they cannot tell if it’s an original or a print. That’s intentional. These are not flat digital reproductions — they are fine art prints that carry the soul of the original.
What sizes does this print come in?
Our fine art prints are available in standard rectangle and square sizes. Rectangles: 8x10 unframed matted to 11x14, 11x14 unframed, 16x20, 18x24, and 24x36. Squares: 8x8 unframed matted to 12x12, 12x12 unframed, 16x16, 20x20, and 24x24. Each size ships ready to frame, making it easy to find the right fit for your wall.
How do I make a gallery wall with art prints?
Start with an anchor piece and build outward — many Crum Art prints are part of series designed to group together as a statement gallery wall, or hang individually as standalone pieces. Since every image is sized to fit standard frames, mixing sizes is easy: lay the arrangement out on the floor first, keep about two to three inches between frames, and center the whole grouping at eye level.